Breakfast Club (30° Anniversary Edition)

Il film e' un cult , racconta la storia di sconosciuti adolescenti rinchiusi a scuola ,sorvegliati dal preside , questa esperienza permetterà a loro si conoscersi e scoprire i problemi che li accomuno l"un l'altro di unirsi, divertirsi , piangere , scoprire cosa significa diventare adulti e alla fine ognuno di loro sarà cambiato .

Recensito in Italia il 11 agosto 2023

Un tuffo negli anni Ottanta. Parole chiave: #adolescenza #scuola #primiamori #rabbia #emozioni #amicizia #accettazione #musica #condivisione

Recensito in Italia il 23 luglio 2023

Cult anni 80. Ottimo Blu-ray

Recensito in Italia il 10 agosto 2021

Come sempre Amazon Prime si rivela top! Il problema l'ho riscontrato sulla custodia poiché è un po' stropicciata sulla parte frontale, al lato superiore (dalla foto non rende), cosa non bella per chi come me li colleziona. Sul film nulla da dire se non che si parli di un Cult intramontabile!

Al secondo tentativo rimasterizzazione soddisfacente! (blu-ray 30° anniversario)

Slask

Recensito in Italia il 25 aprile 2015

Mi ero tenuto debitamente alla larga dal primo mediocre blu-ray di questo film: Universal è nota per la superficialità con cui tratta diversi titoli del suo catalogo (master obsoleti, trasferimenti rovinati dall'abuso di filtri digitali, scarsa attenzione per i film di nicchia).
MA, fortunatamente in questo caso hanno avuto l'accortezza di sfruttare il 30° anniversario di questo cult per fare le cose per bene: The Breakfast Club con questa ri-edizione sfoggia un trasferimento eccellente ottenuto da una nuova scansione digitale (effettuata a quanto pare sui negativi originali), e il risultato è un master che finalmente rende giustizia al lavoro di quel geniaccio di John Hughes: colori più naturali, dettagli visibilmente migliorati, contrasto equilibrato. Tutta un'altra cosa rispetto alla pessima prima edizione.
Le opere di Hughes non si ricordano certo per una fotografia allo stato dell'arte, ma con blu-ray realizzati egregiamente è possibile comunque godersi pellicole del genere nella forma più fedele al look originale, quindi per concludere: se volete The Breakfast Club in blu-ray, assicuratevi di acquistare la versione col bollino "30th Anniversary Edition" in copertina, e avrete tra le mani l'edizione definitiva con cui guardare e riguardare questo classico.

3 persone l'hanno trovato utile

Teresa

da avere

Recensito in Italia il 9 aprile 2022

un cult anni 80 da avere assolutamente. Questo classico ha la capacità di raccontare le vite degli adolescenti senza dinamiche particolari, colpi di scena e usufruendo di una unica location, non è da tutti. L'ho apprezzato molto. Certo, se vi piacciono i film d'azione, dove la scrittura conta un po' meno, non prendetelo vi annoiereste a morte.

Recensito in Italia il 11 aprile 2018

Valutazione tecnica: questa versione bluray è come se fosse acquistata qui in Italia. A parte la copertina in lingua francese il disco è multilingua; come si può vedere nelle foto ingrandite proposte da amazon. La qualità audio e video sono fenomenali considerando che il film ha superato i trent'anni di età! (E' del 1985 n.d.r.). Il disco è stato stampato nel 2013 e presenta i menu moderni di Universal. Per intenderci gli stessi di Fast & Furious 5.

Valutazione artistica: per buona parte del film sembra quasi una pièce teatrale che vede protagonisti dei giovani attori in un set scolastico seguiti da un grande regista. La Brat Pack è nata grazie a questo film... Per i nostalgici del grande cinema degli anni '80 è un acquisto "obbligato". ;-)

Una persona l'ha trovato utile

Un 30° anniversario da non perrdere. Rimasterizzazione eccezionale.

Psiche72

Recensito in Italia il 11 luglio 2019

Nonostante avevo già la vecchia versione in bluray del titolo in questione, ho comprato questa versione dietro consiglio di una recensione e sono rimansto piacevolmente colpito dalla qualità ottenuta. Unico neo, essendo un nostalgico, non mi piace il ridoppiaggio della voce fuori campo "caro signor Vernon ...." all'inizio e alla fine del film, la versione originale mi piaceva così tanto da farmi venire la pelle d'oca, un vero peccato, per il resto è stato fatto un lavoro impareggiabile. Cosigliatissimo a tutti gli amanti del genere. Per me è un Cult da non perdere specie in questa versione restaurata del 30° anniversario.

4 persone l'hanno trovato utile

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Le recensioni migliori da altri paesi

Lehmann Fabrice

dvd

Recensito in Francia il 24 febbraio 2024

Merci pour cet article ! bien arrivé à destination !
Mr Lehmann

oldpink

Dear Mr. Vernon,

Recensito negli Stati Uniti il 6 febbraio 2012

It was a real pleasure watching this movie once again, twenty-five years after I originally saw it, while I myself was still in high school.
Say what you will about the late John Hughes, this particular movie somehow captured what it is to be a young person in a way that few others ever did or ever will.
This movie is centered around seven people:
The late Paul Gleason, as school principal and antagonist, Richard Vernon.
John Kapelos, as the surprisingly funny and canny janitor, Carl.
Anthony Michael Hall, as Brian Johnson, the smart, somewhat nerdy kid.
Emilio Estevez, as Andrew Clark, the wrestling jock.
Ally Sheedy, as Allison Reynolds, the proto-emo outcast girl.
Molly Ringwald, as Claire Standish, the designer clothes wearing princess.
Judd Nelson, as John Bender, the defiant kid, the one we would have called a hood back in the day.
Bender is a veteran of the detention routine, very well acquainted with Vernon.

The last five characters are the students forced to come in for Saturday detention, during which Principal Vernon has given them the assignment of writing a 1,000 word essay about exactly what each of them thinks he/she really is.
That alone sets the tone for how bellicose Vernon is going to be, even before he starts interacting with them.
Bender immediately expresses his disdain for him within the first five minutes of Vernon setting the terms, with one of the funniest lines I recall in a movie: "Does Barry Manilow know that you raid his wardrobe?" winning himself yet another Saturday on the spot.
From there, Bender systematically sets about tormenting first Vernon, then each of the kids, focusing particularly on Claire, someone who couldn't be more his polar opposite in attitude and economic status.
At first, it's tough to like Bender, given his boorish treatment of first Claire, then to Brian and Andrew, but there is something charismatic about him that starts to show through, and he turns out to be surprisingly intelligent.
He propels the story, especially for the first two thirds, clashing with principal and kid alike, but bringing out in each something that wouldn't have emerged otherwise.
Claire is troubled by how her parents seem to use her against each other, and -- as is common with the popular kids -- held prisoner to her friends' dictates.
Allison is ignored by her parents and basically friendless at the beginning of the movie.
Andrew is a jock driven relentlessly by a dad obsessed with winning to the exclusion of all else.
Brian is quite a bit like Andrew, except both parents are obsessed with his academic achievement.
Then we have Bender, who proves he's not just telling stories when he memorably reenacts how he has been badly physically abused at home.

Watching this all over again, I realize that I knew all of the characters to one extent or another in high school, and most people could identify with each to one degree or another.
The dialogue is biting, often witty, and nearly always sarcastic.
The conflict that only grows with time between Bender and Vernon propels the movie, and Bender's harsh words for each of the kids eventually get them to open up in ways they never would have done without him to berate them.
Because of this juxtaposition of the sarcastic with the sadness each of them has, this manages to be a very touching movie that does so without being cloying about it.
I won't spoil the movie for those of you who have yet to see it, but I will just say that this is no action movie or cookie cutter teen movie.
This is about the universal misgivings that people have throughout their lives, especially when they are young and at their most vulnerable.

There is little doubt that Judd Nelson's Bender is the driving force here, and he is very good in that role, wildly veering from wickedly funny to exploding into rage, with only his unusually strong command of the English language making him just a bit unbelievable.
Ally Sheedy's Allison has the least dialogue by far, but she plays it very well, getting the maximum out of her character with her expressions and the laborious way that she speaks, as Nelson and Hall observe during the commentary track, as if she were unpracticed at speaking.
Hall plays Brian very well, just the type of personality of the nerdy guy, but with a nerd's sensitivity and intelligence.
Estevez's Andrew is in some ways even better, first playing tough guy tempered with chivalry by standing up to Bender's taunting of Claire, then showing that he really is much more than just an athlete, especially when recounting the real reason that he got put on detention with the others and when talking one-on-one with Allison.
Ringwald's Claire is also very good, and she is a nice foil for Bender, who quickly pivots from tweaking Vernon to making openly crude comments toward her.
At first, it's tough to feel too sorry for her, given her membership in the popular clique, but she emerges as someone who would prefer to be her own person, and it turns out that Bender, is the one person who brings that out more than anyone else.
Kapelo as Carl didn't have much time on screen, but he was a real highlight, showing that he is much more than a blue collar guy, but someone with a real understanding of human nature and wisdom.
Gleason as Vernon was in some ways the best of all, not just a cardboard cutout authoritarian, but someone even with just a hint of self doubt. He is particularly funny, with his impenetrable front that first Bender, then the other kids, and finally even he (unintentionally) puncture throughout the movie.

Anyone wondering about the R rating for this should know that there is no nudity or anything of the sort, but that the reason for the rating was because of some harsh language, with some sexual comments thrown in.
This is a nicely packaged Blu-Ray, with both the regular movie and the audio commentary version with Anthony Michael Hall, Judd Nelson, and DVD producer Jason Hillhouse.
You also get a 12-part documentary titled "Sincerely Yours," with focus placed on each of the actors, plus various other aspects of the movie itself.
They also include the five minute "The Most Convenient Definitions: The Origins of the Brat Pack," a short discussion of exactly what it says, and speaking for myself, I always thought that term was unfairly dismissive, condescending, and smacked of a certain elitism of elders toward young upstarts.
This is a BD-Live disk, so there are some features available through it directly online, but I didn't really bother exploring those.

Picture quality was good and certainly an improvement over conventional DVD upscaled on a 1080p set, but I was surprised at how it was slightly grainy in parts when I got up close to my 1080p TV, almost as if the producers had simply produced the Blu-Ray from the exact same resolution master from the DVD release instead of going back to the original film itself to make a Blu-Ray specific master.
However, the minor graininess in no way detracted from the movie, which is -- after all -- about the characters.
I realize that John Hughes was often derided by the elites in show business when he was still alive, and to some extent even now, but this to me is one of his two very best movies, the other being the superb Planes, Trains and Automobiles (Those Aren't Pillows Edition) .
I highly recommend either movie, and consider yourself lucky if it's the first time watching it.

24 persone l'hanno trovato utile

ひろひろ

懐かしいね〜

Recensito in Giappone il 2 agosto 2006

心待ちしてました。やっとＤＶＤの発売が決まりましたね〜。当時（1985年前後かな）、ブラッドパックと呼ばれていた若手俳優勢揃い（ｴﾐﾘｵ･ｴｽﾃﾍﾞｽ、ﾓﾘｨｰ･ﾘﾝｸﾞｳｫﾙﾄﾞ、ｱﾘ･ｼｰﾃﾞｨ、ｼﾞｬﾄﾞ･ﾈﾙｿﾝ）。このころの青春映画（ｱｳﾄｻｲﾀﾞｰ、ｾﾝﾄ･ｴﾙﾓｽ･ﾌｧｲｱｰ、ﾌﾟﾘﾃｨ･ｲﾝ･ﾋﾟﾝｸなど）の中では、地味〜な映画（内容は、商品の説明で）だったけど、何故か心に残る作品でした。青春映画の好きな方は、ぜひ見てくださいまし。（すてきな片思いも同時発売するのでセットで買いますよ〜。）

4 persone l'hanno trovato utile

Ray

Nachsitzen...

Recensito in Germania il 21 gennaio 2023

"Don't you forget about me" - dieser Song von den Simple Minds ist auch untrennbar mit dem John Hughes Film "Der Frühstucksclub" verbunden, der 1985 in die Kinos kam und mit 52 Millionen Dollar Einspielergbnis ein Hit wurde. Teilweise wurde der Film, der zuerst eine Laufzeit von ca. 150 Minuten hatte, auf Druck der Universal Pictures gekürzt, am Ende wurde der Film dem Publikum mit einer Laufzeit von 97 Minuten präsentiert. Leider hat Universal alle Negative der geschnittenen Szenen zerstört, so dass nur Regisseur John Hughes, der 2009 verstarb, im Besitz dieses "Directors Cut" war. Bisher ist aber noch keine Veröffentlichung geplant.
"Der Frühstücksclub" heißt im Original "Breakfast Club" - ein an einigen Schulen der USA gebräuchlicher Ausdruck für das Nachsitzen am Samstagmorgen.

Und an diesem Wochenende müssen 5 Schüler hier ihren Tag verbringen. Andrew Clark (Emilio Estevez) ist die Sportskanone, der ein Ass im Ringen ist und vor allem durch seine sportlichen Leistungen auf ein Stipendium hoffen darf. Er hat aber dem Aussenseiter Larry Lester die Arschbacken zusammengeklebt. Seine Kumpels haben natürlich gelacht und Andrew als Held gefeiert, doch das Opfer war extrem gedemütigt. Andrews Vater findet es nicht schlimm, schließlich ist sein Sohn kein Schwächling und er war ja auch mal jung....Brian Johnson (Anthony Michael Hall) gilt als einer der intelligentesten Schüler, der Liebling der Lehrer und der Sonnenschein seiner Eltern. Er besucht viele Kurse und schreibt nur Einsen. Doch für seine im Werkunterricht gebastelte Lampe gabs eine glatte Sechs, denn sie wollte einfach kein Licht geben. Er empfand den Druck als extrem hoch und so dachte er an Selbstmord. Zum Glück wurde die Waffe (eine Leuchtpistole) rechtzeitig gefunden. Clair Standish (Molly Ringwald) gehört wie Brian zu den angesagten, beliebten Schülern, die von einer wohlgesonnenen Clique abhängen. Diese hohe Beliebtheit verlangt natürlich auch einiges, vor allem muss sie immer schön aussehen und sich auch wie eine Prinzessin benehmen. Allison Reynolds (Ally Sheedy) ist ein sonderbares Mädchen mit ziemlich vielen seltsamen Manierismen. Sie wird von ihren Eltern ignoriert und plant eine Flucht.
Dann wäre da noch der aufmüpfige, aber coole John Bender (Judd Nelson), der wegen des Auslösens des Feueralarms zum samstäglichen Nachsitzen verbrummt wurde. Er hat auch öfters mal Drogen in der Schule dabei und seine Zukunft sieht wahrlich nicht rosig aus. Kein Wunder, denn er kommt aus einem dissozialen Elternhaus, wo der aggressive Vater gerne auch mal als Strafe eine brennende Zigarette seinem Sohn auf dem Arm ausdrückt.
Sie alle sind nun an diesem Samstag, dem 24. März 1984 in der Bibliothek der Shermer High School morgens um Sieben erschienen, um dort ganztägig nachzusitzen. Sie sollen in dieser Zeit einen Aufsatz schreiben in dem jeder der Fünf sich selbst beschreiben soll bzw. wer er zu sein glaubt. Die Aufsicht hat der stellvertretende Direktor Richard Vernon (Paul Gleason) übernommen, der mit der Verkündung der sehr strengen Regeln den Nachsitztag einleitet.
Die fünf Studenten vertreiben sich die Zeit mit Reden, Streiten, Musik hören und es ist der rebellische Delinquent John Bender, der immer wieder den Lehrer versucht zu provozieren...

Am Ende des Tages haben aber alle fünf Schüler erkannt, dass sie gar nicht so verschieden sind wie sie glaubten. Sie alle haben mit ähnlichen Problemen zu kämpfen
"Breakfast Club" - so der Original Filmtitel ist neben "Ferris macht blau" der beste Film von John Hughes, der es herrlich verstand die Stimmung der Jugendlichen aus den 80er Jahren perfekt einzufangen.
Es ist ein Film über den ständigen Kampf, den alle Teenager in diesem Alter führen. Sie finden auch - zumindest an diesem Nachsitztag - zueinander, weil sie die Probleme des Gruppendruck und der elterlichen Erwartungen gemeinsam kennen und sie gleichsam verachten. Ein weiteres Thema des Films ist die Stereotypisierung. Sobald aber diese offensichtlichen Stereotypen fraglich werden, können sich die fünf Protagonisten in die Probleme des Gegenübers einfühlen. Hughes gelang einmal mehr ein wunderbarer Film, den man immer wieder anschauen kann und der bis heute nicht gealtert ist, obwohl es ein typischer Film seiner Dekade ist und bleibt.

14 persone l'hanno trovato utile

Semper Victor

Dynamique de groupe

Recensito in Francia il 9 settembre 2015

« Breakfast Club », réalisé en 1985 par John Hugues, est devenu au fil du temps un film générationnel et un film culte sur la révolte et la douloureuse éclosion de la personnalité propres à chaque adolescent. Tourné à huis-clos dans la bibliothèque d'un collège de l'Illinois qui sert de salle de retenue à 5 élèves collés pour un samedi entier, « Breakfast Club » démontre avec réalisme que tous les jeunes, quel que soit leur milieu ou leurs préoccupations, partagent les mêmes problèmes et les mêmes interrogations sur l'avenir.

Le film doit beaucoup aux cinq acteurs, criants de vérité, qui interprètent les jeunes aux personnalités si différentes : la fille à populaire, le rebelle, le sportif (un lutteur'), le surdoué, et la détraquée (Molly Ringwall, Judd Nelson, Emilio Estevez, Antony Michael Hall et Ally Sheedy). Mais s'agit-il vraiment de leur véritable personnalité ? Chacun ne s'est-il pas choisit ou laissé imposer une image protectrice pour masquer la difficulté de son existence ? Au fil des heures, sous la pression du principal qui les surveille (de loin), les 5 protagonistes que tout semblait opposer se rapprochent, s'entraident et s'ouvrent les uns aux autres. De joutes verbales en transgressions ils deviennent, sans le réaliser, un véritable groupe que l'un d'entre eux parviendra à décrire avec des mots particulièrement juste dans la dissertation sensée être rédigée à titre de punition.

La réalisation, malgré le quasi immobilisme des acteurs et vive et inventive. La bande musicale et l'emblématique tube « Don't You (Forget About Me) » donnent une remarquable profondeur à ce film qui rappellera à chacun les troubles de sa jeunesse.

Le Blu-ray affiche une image remarquable. La qualité du son est moins bonne, notamment en VF.

12 persone l'hanno trovato utile