Thanks to the witty melodies and songwriting of multi-instrumentalist and producer Joseph Mount, Metronomy is one of the most creative acts mixing electronic pop and indie rock. Drawing on influences ranging from Devo and David Bowie to N.E.R.D. and Pavement, Mount established Metronomy as an equally catchy and unpredictable act with 2006's scrappy, lo-fi Pip Paine (Pay the £5000 You Owe). The project's later albums, such as 2011's Mercury Prize-nominated The English Riviera, were smoother and more sophisticated, but still incorporated unexpected elements that ranged from the Motown and blue-eyed soul homages of 2014's Love Letters to the retro-futurism of 2019's Metronomy Forever. With the deceptively sunny pop of 2022's Small World and 2024's hip-hop-tinged collaboration with Pan Amsterdam "Nice Town," Mount kept pushing Metronomy's creative boundaries.

Named after the musical term for the measurement of time by an instrument, Mount started Metronomy in 1999 as a side project to the other bands he played with, using an old computer that his father gave him to record songs. Metronomy's first full-band lineup also included keyboardist/saxophonist Oscar Cash and keyboardist/bassist Gabriel Stebbing. Prior to Metronomy, Mount and Stebbing played together in acts such as the Upsides, a pop group the pair described as "the original Busted," and the Customers, with whom they played in university. When his cousin Cash joined Metronomy, it became the trio's main project. The band earned buzz for their engaging live shows as well as official and unofficial remixes of tracks by Gorillaz, Architecture in Helsinki, Sebastien Tellier, Kate Nash, U2, and Britney Spears.

Metronomy self-released an EP early in 2002, and after a DJ gig in Brighton, Mount connected with the founder of Holiphonic Records, which released Metronomy's debut single, "You Could Easily Have Me," in late 2005. For June 2006's debut album Pip Paine (Pay the £5000 You Owe), Mount drew inspiration from artists ranging from Aphex Twin and Kraftwerk to Frank Zappa and Talking Heads.

Following a deal with Because Music, Metronomy issued the single Radio Ladio on the label's Need Now Future imprint in November 2007. The next September saw the release of their second album, Nights Out. A set of songs revolving around disappointing nights on the town, the album included more contributions from Cash and Stebbing. Thanks to singles such as "Heartbreaker" and "My Heart Rate Rapid," Nights Out introduced Metronomy to a wider audience; the album was eventually certified double silver, having sold over 40,000 copies throughout Europe. The Not Made for Love EP followed in 2009, the same year that Stebbing left Metronomy to focus on his other project, Your Twenties. Bassist Gbenga Adelekan and former Lightspeed Champion drummer Anna Prior joined the fold for April 2011's The English Riviera, which boasted a sleeker sound than the band's previous work. Recorded in London and Paris, the album was a commercial and critical success, reaching number 28 on the U.K. charts, selling more than 60,000 copies, and earning them a Mercury Prize nomination.

Mount and crew went in a very different direction for Metronomy's fourth album, March 2014's Love Letters. Taking inspiration from acts such as the Supremes, the Zombies, and Sly & the Family Stone, the band recorded at Toe Rag, an all-analog London studio frequented by indie rock bands such as the White Stripes and the Cribs. The singles "I'm Aquarius" and "Love Letters" -- which boasted a video directed by Michel Gondry -- signaled the album's mix of vintage warmth and cutting-edge pop ahead of its March 2014 release. The set peaked at number seven on the U.K. albums chart, their highest position to date. For Metronomy's next album, Mount changed course again, booking a studio just outside Paris and writing and recording a set of songs by himself within two weeks. The funky Summer 08, which reflected on the exuberance of the Nights Out era and featured collaborations with Mix Master Mike, Erol Alkan, and Robyn, arrived in July 2016. Mount then worked with Robyn on her acclaimed 2018 album Honey, co-writing and producing several of its songs.

Following Mount's move from Paris to the English countryside, Metronomy returned in September 2019 with Metronomy Forever. Featuring production assists by Mr. Oizo and Pierre Rousseau, the album spanned new wave-inspired pop songs to amorphous synth experiments and reached number 15 on the U.K. Albums Chart. Two years later, Metronomy released the Posse EP, Vol. 1, a project in the vein of Handsome Boy Modeling School that found Mount collaborating with artists including Biig Piig, Pinty, Sorry, and Brian Nasty. Mount and company returned in February 2022 with Small World, a concise, optimistic set of songs written and recorded during the COVID-19 global pandemic. A Top Ten hit in the U.K., the album also charted in several European countries.

Following their performance at the 2022 Glastonbury Festival, Metronomy took a break from live performances while Mount worked on new music. In March 2024, the project resurfaced with the single "Nice Town." A collaboration with jazz-influenced rapper Pan Amsterdam, it marked Metronomy's first release for Ninja Tune. ~ Heather Phares

A singer/songwriter who defies easy classification, Naima Bock writes songs influenced by folk and Brazilian music, but most of all by the communal nature of music itself. A former member of the South London band Goat Girl, Bock was already an expert at blending genres into something fresh, but the buoyant mix of jazz, electronic, acoustic, and classical influences on 2022's lush yet confiding debut album Giant Palm still marked new territory for her.

Bock was born in Glastonbury to a Greek mother and Brazilian father. As a young child, she lived in Sao Paolo, Brazil and listened to artists such as Chico Buarque, Baden Powell, and Geraldo Vandre. When she was seven, her family moved back to England, settling in South London. Thanks to her stepfather, she fell in love with the folk of the 1930s, '40s, and '50s as collected by Alan Lomax. By the time she was a teenager, she was a part of the local music scene. She attended shows at venues including the Windmill Brixton, and when she was 15, she formed the band Goat Girl with her friends Lottie Pendlebury, Ellie Rose Davies, and Rosy Jones.

Goat Girl's snarling mix of punk, country, and goth earned a strong following as well as critical acclaim, but not long after the release of the band's self-titled debut album in 2018, Bock amicably departed in search of new horizons. These included studying archaeology at University College London and working as a gardener, but her passion for music never wavered. Along with joining the South London folk collective Broadside Hacks, Bock continued to write songs -- teaching herself how to play guitar and violin along the way -- and perform the occasional solo show. She shared some of the music she'd written with her coworker Josh Cohen, who also runs the label Memorials of Distinction; he introduced her to producer/arranger Joel Burton, a former member of the band Viewfinder who had left indie behind in favor of classical and experimental improv music. Though Bock and Burton began refining her songs just before the COVID-19 global pandemic hit in early 2020, they were able to continue their work with the help of Speedy Wunderground's Dan Carey, who let them record in his studio free of charge, and with contributions from their friends in the music scene, who were unable to perform live (some of the songs they recorded featured more than 30 musicians).

Though Bock completed her debut album in late 2020, it wasn't until a year later that Sub Pop released her debut single "30 Degrees." In December 2021, Bock issued a cover of the Brazilian classic "Berimbau." Her love of Brazilian music, as well as folk, informed Giant Palm, which appeared on Sub Pop in July 2022. ~ Heather Phares